#1 Album of all Time. Rolling Stone says it’s the #1 album of the decade and the #428 greatest album of all time. This must have been a terrrrrrrrible decade for music. I actually remember exactly where I was when I noticed the bass in my favorite song, Kid A. That was quite possibly the first time I ever thought about a bass line. I remember the best concert ever, when Radiohead opened with National Anthem into Morning Bell on August 1, 2001, a time when nothing bad ever happened. I remember that this album was the first real topic of conversation with me and Victor on September 10, 2005. Favorite album? Me – Kid A. Him – Beatles something or other.
I don’t differentiate a whole lot between Kid A and Amnesiac, so this was an easy #2. Thanks for the guitars, guys.
Did you pay for this album? Seriously, you didn’t? I paid $10 because that’s what I figured Best Buy would have priced it at, had I bought it there. Ok, wait, before you judge: I would have bought it at a local music store. Probably Indy CD and Vinyl. That’s where I bought my last physical album in 2005. I can’t quite put my finger on it, but there’s something that feels very different about this album than the previous two (or Hail to the Thief, which did not make the list). It feels like new, modern Radiohead that I was lucky enough to stumble upon one day. I guess I am still stuck in an old-fashioned era where, because this was first released as download-only, it’s hard for me to think of it as a real album. And maybe because it was self-released and didn’t have a huge promotional push behind it unless you sought that out (I did). I’m sure in the future that will be the norm.
I was a little slow on the uptake from this – 2004. A coworker urged me to listen to Wilco but I blew it off, like I blew off Ryan Adams, as being “too country”. I’m an idiot. Then one day I saw ‘Heavy Metal Drummer’ on VH1, which sounds nothing like its name implies. It was.. cute! So the next day I thought I’d try my luck with Half-Price Books so I could buy a used copy of the CD and.. wouldn’t you know.. not only did they have it, but it was on display and was the first cd I saw when I walked in. Another weird coincidence in my life. Alanis Morisette probably think it’s ironic, although we know it’s not..yeah I really do think. I know a lot of people associate this album with 9/11 (it was supposed to be released that day), but for me it’s associated with a different kind of sadness. Within a few days of buying it, I was on a road trip to Ohio to bury my Grandma.. and listening to this the whole time. Also, great album cover! I went to Chicago a lot as a kid and those were two of my favorite buildings. People live there! Also also, remember when their label dumped them because of this album? Fools.
Arcade Fire’s Funeral and Neon Bible are VERY NYC, very mid 2000s, very emotionally tumultuous. I listened to it a LOT. Then my date for their concert left in the middle of it. I don’t really understand how anyone who likes music can’t like this. Then I had to walk from Harlem to Randall’s Island on a day in October when it was approaching 90 degrees to see them. And when they said “we are going to take a long break after tonight”, I was okay with that. And I haven’t seen or heard from them since. I’ll gladly welcome them back with new music some day.
It’s summer 2005! I just moved to NYC! I’m working at Vice! I’m spending all my free time in Williamsburg or the Lower East Side or East Village! Kanye’s Gold Digger is on the radio! I’m sweating a lot! LIFE IS GOOD!
That said? Can’t really take Sufjan seriously anymore.
The Strokes – Is This It, a perfect album for the times. It was good to be 21 years old and listening to the Strokes. I used to have a hard time figuring out which one was the hottest. Fabrizio Moretti has emerged as the clear winner there. I came to NYC in 2003 with my friend Nathan who was looking to go to an audio engineering school here. We spent our free time in “the Strokes bar” (7B). Then, the first week I moved here, I saw Julian and Albert coming out of Veselka. Life was complete. Unfortunately, I get the sense that that was it for The Strokes. I just can’t picture them coming back with something as culturally relevant or awesome.
If I had to pick an album that really represents the decade, not just for me personally, but for everyone.. this would be it. And yeah, I have been going a little U2 crazy lately. But to me U2 is the band I associate with the biggest event of the 2000s (you know it – 9/11). It’s mostly because of this:
I know the song is older, but that performance is from 2002.. and that is some powerful television, no? Back to the album, I think ‘Stuck in a Moment You Can’t Get Out Of’ is one of the most underrated U2 songs ever. LOVE that The Edge sings at the end of it. Oh love, look at you now!
Broken-hearted Beck proves sincerity > sarcasm.
I know, I can’t really take Death Cab for Cutie anymore, either. Although that song on the New Moon soundtrack – ‘Meet Me on the Equinox’? Not bad! It’s certainly no ‘I Will Possess Your heart’ (gag). But this album, Transatlanticism, says it’s fall (very fall) 2003 and I am young, single, and love going out in Broad Ripple. I think I could still listen to it and not want to stab my ears.
My last rock star band crush. The last albums where I knew every single lyric. They, too, are over. RIP Interpol.
Yeah – a covers album! My first and last. Also the end of my relationship with Tori Amos, the longest running and most intense of my life. Side note – just walked by her this week a block from my office. She’s still beautiful.
This is the ultimate music experience – sweaty, packed concert, great album and promotional artwork (hot air balloons! arrows! green and pink!).. and was there a more perfect song to drive to with the windows down in the summer of 2004? No.
In retrospect the unifying theme is that almost all of this music came from the earlier parts of this decade. The newest, ‘In Rainbows’ is over two years old. I should probably admit that’s a side effect of my aging. I know the kids these days are all into Grizzly Bear and Dirty Projectors, but… I’m just gonna go take a nap now.
I’d feel much better if these album covers were all the same size.